Monday, October 27, 2008

The Simple Art of Learning to Breathe Properly

When I was living and acting professionally in New York, I took a course on meditation at the Himalayan Institute. Casually one day, the teacher expressed an opinion that has stayed in my mind ever since.

"We don't have an epidemic of heart disease in this country," he said. "We have an epidemic of breathing disease."

You could call that a "breathtaking" statement in itself. It certainly resonated with someone for whom--as a stage actor--breathing and breath control were central to the performance of my art.

What the teacher was saying, was that typically one's heart isn't given enough oxygen because of poor breathing habits. A heart continually deprived of an adequate supply of oxygen, of course, will fare poorly over time. Interestingly, the same careless breathing habits will negatively affect our performance as public speakers.

Breathing for speech is different from breathing for life. The latter is sometimes known as "vegetative breathing," meaning that it is passive and not aimed consciously at a goal. In speech, however, breath not only is the energizing force which powers our vocal folds, but it must be controlled to achieve desired effects. Chief among these is the need to sustain the sound, since the most important words in English usually come at the end of a phrase or sentence.

This means that, as speakers, we use controlled exhalation that is much longer than the "quick in and quick out" inhalation and exhalation of breathing for life. Naturally, then, in order to control our exhalation, we have to breathe deeply enough to form a reservoir of air that we can draw upon.

Speakers therefore should breathe more deeply than in everyday vegetative breathing. This is often a particular challenge in public speaking, when self-consciousness and adrenaline are enticing us to breathe shallowly and rapidly.

Getting a full reservoir of air that allows us to sustain our vocalization is only one benefit to slower, deeper, relaxed breathing for speech. A full rush of air that fills our lungs actually slows our heart down, calming and centering us. Try this exercise yourself: Get a baseline pulse rate at your wrist, then take a huge intake of air, pause for a few seconds, then "whoosh" it all out in a big exhalation. You should feel a distinct slowing on your pulse rate in the first few seconds afterwards.

Another reason to breathe fully and deeply is that it oxygenates our brain. And the brain needs this precious fuel if our gray matter is to function at its top efficiency. In the speech environment where thinking on one's feet is paramount, this is no small benefit either.

So, try some relaxation exercises--lying down or sitting, it really doesn't matter--that teach you to breathe slowly and more deeply. You'll feel good, be more centered and ready to speak, look good by avoiding a "caved in" appearance, and be able to support and sustain your crucial points as you talk.

One other suggestion: As you do your relaxed breathing exercise, try to get your inhalation and exhalation to be continuous, i.e., with no starting or stopping point where one begins and the other ends. Think of a figure "8" on its side, which is actually the symbol for infinity--there is no break anywhere. Unobstructed breathing like that, I believe, helps loosen the mental blockages that are so often part of our trepidation about speaking in public.

All in all, not a bad package of benefits from the simple art of learning to breathe properly, is it?

No comments: